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19 Projects: Artists in Residence at the MIT Visual Arts Center. Cambridge, MA : Massachusetts Institute of Technology, 1996. pp. 109-120. ill.
People in Glass Houses. (Exhibition Brochure). Brooklyn, N.Y: Robert Lehman Gallery, Urban Glass. 1996
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About Time: Temporality in the Art and Architecture of the Landscape (Symposium and exhibition catalog). The Rhode Island School of Design, 1995; ill.
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Cohen, Gigi. “Blast Echo Recorded for Future.”New York Newsday. July 8, 1993. (.pdf)
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Davis, Douglas (Essay). The Nature of the Machine: An Exhibition of Kinetic and Biokinetic Art (Exhibition catalog). Chicago: Chicago Cultural Center, April 3-May 30, 1993. p. 19; ill.
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Meckanika (Exhibition catalog). Cincinnati, OH: The Contemporary Arts Center. May 24-July 13, 1991. pp. 24-25; 50; ill.
“Plethora: A Project for Artforum.” Artforum. May 1991, p. 128; ill.
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Goncharov, Kathleen. Arts America Program, USIA(Exhibition brochure), 1991. ill.
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Freeman, Phyllis I. New Art. New York: Harry R. Abrams, Inc.: 1990. p. 97; ill.
La Collezione Permanente (Exhibition catalog of the Permanent Collection). Museo d’Arte Contemporanea, Prato, Italy, 1990. p. 71; ill.
Martin, Richard. The New Urban Landscape. Olympia & York Companies (U.S.A.) and Drenttel Doyle Partners, 1990. pp. 74-75; ill.
Plous, Phyllis. Pulse 2: Report on a Phenomenon(Exhibition catalog). University Art Museum, Santa Barbara, California. 1990. ill.
Siler, Todd. Breaking The Mind Barrier. New York: Simon & Schuster, 1990. p. 319.
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Coromilas, Dmitri L. “Kristin Jones + Andrew Ginzel: ‘Antithesis.'” Texni/Art. Athens, Greece: November 28, 1989. pp. 14-15, 38-39; ill. (.pdf)
Koplos, Janet. “Art ‘Installations’ on Display at the Aldrich Museum.” The Advocate and Greenwich Time. November 19, 1989. p. D1; ill.
Zimmer, William. “The Aldrich Fills its Rooms with Expansive Sculptures.” The New York Times. November 12, 1989, Connecticut Section, p. 36; ill. (.pdf)
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Russell, John. “From a Glorious Past to a Conspicuously Bright Future.” The New York Times. August 27, 1989. pp. B31, B33; ill.
“Von Galilei zum Kunstlerpaar Jones/Ginzel” and “Ein Blick (Zurück) in die Schöne Weite Ferne.” Nordschweiz Basler Volksblatt. August 21, 1989. p. 3.
Müller, Hans-Joachim. “Bunte Holzbären, Schwarzer Krater.” Basler Zeitung. August 21, 1989. p. 27.
“‘Augen-Blick’ auf Leben und Kunst.” Basler Zeitung. August 17, 1989. p. 49; ill.
McNally, Owen. “Atheneum Assigns Contemporary Art to Front Row.” The Hartford Courant. July 24, 1989. pp. D1-D2; ill.
Brenson, Michael. “The Drowned World: Waterworks.” The New York Times. June 16, 1989. p. C23. (.pdf)
Lambert, Pam. “Art: The World According to Jones / Ginzel.” The Wall Street Journal. June 15, 1989. p. 11A; ill. (.pdf)
“Goings on about Town.” The New Yorker. May 8, 1989. p. 16.
Battey-Lewis, Jean. “Merce Cunningham’s Second Night Gives Dancers the Chance to Shine.” The Washington Times. May 6, 1989.
Sommers, Pamela. “Freedom and Form.” Washington Post. May 5, 1989. Dance Section.
Mifflin, Margot. “Art Partners Jones and Ginzel.”Elle. May 1989. p. 64. (.pdf)
Croce, Arlene. “Crises.” The New Yorker. April 3, 1989. pp. 106-108.
Tsai, Eugenie. “Kristin Jones and Andrew Ginzel; Damon Brandt Gallery.” Arena (Madrid, Spain). April 1989. pp.116-7; ill.
Photo of Charybdis in Bermant advertisement.ARTforum. April 1989. p. 71.
Jowitt, Deborah. “New Worlds.” The Village Voice. March 28, 1989. pp. 89-90.
Kisselgoff, Anna. “Cunningham: Far From Arbitrary Abstractions.” The New York Times. March 19, 1989. p. B8.
Mazo, Joseph H. “‘Field and Figures’ Filled with Images of Striking Beauty.” The Record. March 9, 1989.
Barnes, Clive. “Not a Man for All Seasons.” New York Post. March 9, 1989.
Berman, Janice. “A Vast Field of Movement.” New York Newsday, March 9, 1989. part 2, p. 8. (.pdf)
Anderson, Jack. “Fleeting Patterns Evoke an Ephemeral World.” The New York Times. March 9, 1989. (.pdf)
Jurrist, Charles. “Turns, But No Turn-On.” The Daily News. March 9, 1989. p. 51; ill. (.pdf)
Wooster, Ann-Sargent. “Kristin Jones/Andrew Ginzel.” 7 Days (New York). March 1, 1989. p. 57.
Perreault, John. “Through A Glass Darkly.” ARTforum, March 1989. pp. 106-112; ill.
Timmis, Joan. “Merce Cunningham Dancers Cap Residency with Stunning Premiere.” Star Tribune (Minneapolis). February 20, 1989. p. 5B.
Review of Ecclesia. The New Yorker. February 20, 1989. p.16.
Fleming, Michael. Review of Field & Figures, St. Paul Pioneer Press Dispatch. February 19, 1989.
Timmis, Joan. “Cunningham’s New ‘Field & Figures’ is Like a Walking Tour of Outer Space.” Star Tribune (Minneapolis). February 19, 1989. p. 2B.
Fleming, Michael. “At The Mercy of Merce.” St. Paul Pioneer Press Dispatch. February 12, 1989. pp. 1D, 3D; ill.
Steele, Mike. “Independent Parts Make Merce Cunningham’s Dance Whole.” Star Tribune (Minneapolis). February 12, 1989. pp. 1F,4F.
Ben-Haim, Tsipi. “Interaction: Light, Sound, Motion.”Sculpture. January/February 1989. p. 93.
Jenkins, Jim and Dave Quick. Motion-Motion Kinetic Art. Salt Lake City, Utah: Gibbs Smith Publishers, 1989. pp. 54-57; ill.
Kellein, Thomas and Phillips, Patricia C. Antithesis(Exhibition catalog with essay by Patricia Phillips). Kunsthalle Basel, 1989. ill.
Martin, Richard, ed. The New Urban Landscape(exhibition catalog). New York: Olympia and York Co.’s, 1989. pp. 74-75, 115, 127; ill.
O’Donnell, Ellen. Project: Installation (Exhibition catalog). Aldrich Museum of Contemporary Art, Ridgefield, Connecticut. pp. 10, 11, 22; ill.
Phillips, Patricia and Thomas Kellein. Kristin Jones and Andrew Ginzel. Kunsthalle Basel: 1989. (.pdf)
Tomlins, Finkelpearl, and Phillips. The Drowned World: Waterworks (Group exhibition catalog). P.S. 1, Long Island City, New York: 1989. p. 18; ill.

Benedetti, Stefano. Incontri. November 1988. pp. 12-14 and cover; ill
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Tully, Judd. “Off The Wall.” Taxi Magazine. October 1988. pp. 120-125; ill.
Zimmer, William. “Kinetic Sculptures, Abstract Techniques.” The New York Times. August 14, 1988. Arts & Leisure section.
Russell, John. “Provocative Exhibitions at Museums and Galleries.” The New York Times. August 5, 1988. p. C22.
Phillips, Patricia C. “Constructions between Sculpture and Architecture.” ARTforum. Summer 1988. pp.140-141.
Jones, Kristin and Andrew Ginzel. Charybidis (Lecture and reception invitation with description). Cambridge, MA: MIT List Visual Arts Center, May 7-June 26, 1988.
Temin, Christine. “Creating a Sense of Wonder About the Universe.” The Boston Globe. May 31, 1988. p. 96; ill. (.pdf)
Jill Peters, producer. Innovations. Channel 13 Public Television. Spring 1988.
Leroyer, Ann. “New York Artist Team Named to First Rouse Residency at the GSD.” GSD News. Harvard University Graduate School of Design: Spring 1988. p. 17; ill.
Indiana, Gary. “Science Holiday.” The Village Voice. March 15, 1988. p. 90.
Levin, Kim. “Constructions: Between Sculpture and Architecture.” The Village Voice. March 15, 1988. p. 42.
Harvard University Gazette. March 4, 1988. p. 2; ill.
Damsker, Matt. “Art View.” The Hartford Courant. February 14, 1988. p. G6; ill.
Wilkinson, Francis. “Public Art: It Makes You Aware of Your Surroundings.” The New York Observer. February 8, 1988. p. 10.
Peck, Joyce. Review of Wadsworth Atheneum exhibition. The Register Citizen. January 26, 1988. p. 8. (.pdf)
Phillips, Patricia C. “Kristin Jones and Andrew Ginzel, CITY HALL PARK.” ARTforum. January 1988. pp. 118-119; ill. (.pdf)
Quinn-Ortiz, Patricia, ed. “Exhibitions: Kristin Jones and Andrew Ginzel.” Magazine of the Wadsworth Atheneum. Winter, 1988. p. 6; ill.
Wosk, Julie. “Art/Science Forum.” Leonardo, 1988. pp. 318-321.
Barzel, Amnon, et. al, text. Spazi ’88 / Spaces ’88(Group exhibition catalog with texts). Prato, Italy: Museo d’Arte Contemporanea, 1988. pp. 84-91; ill.
Miller-Keller, Andrea, text. Matrix 99 (Exhibition pamphlet with text). Hartford, CT: Wadsworth Atheneum, 1988. ill.
Rouse Artist-In-Residence Program (Exhibition pamphlet). Cambridge, MA: Harvard University Graduate School of Design, 1988. ill.
Taylor, Frederieke S., text. Constructions: Between Sculpture and Architecture (Group exhibition catalog with text). New York: Sculpture Center, 1988. pp. 12, 13; ill.

Adler, Margo. “Public Art.” Weekend Edition. National Public Radio. November 15, 1987 and additional broadcasts
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Walth, Brent. “Arts: Breaking with Convention, Oregon’s Biggest ‘1 Percent’ Program is Innovative. But Is It Fair? ” Willamette Week (Willamette, Oregon). August 27 – September 2, 1987. pp. 12-13.
Bodine, Harry. “8 Chosen to Help Add Artistic Touch to Oregon Convention Center.” The Oregonian (Portland, Oregon). August 25, 1987. p. B5.
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Heiss, Alanna, Tom Finkelpearl and Jenny Dixon.P.U.L.S.E.: A Project of the David Bermant Foundation: Color, Light, Motion (Group exhibition catalog). New York: Institute for Art and Urban Resources and the Lower Manhattan Cultural Council, 1987. p. 8; ill.
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Smith, Roberta. “Singular Artists Who Work in the First Person Plural.” The New York Times. May 10, 1987. p.B29, B33.
Engler, Brigitte. Paper. May 1987. p. 41.
McGreevy, Linda. Review of P.U.L.S.E. Portfolio Magazine. April 28, 1987. p. 31.
Smith, Roberta. “Group Exhibitions Show off New Talent and Striking Styles.” The New York Times. April 24, 1987. pp. C1, C28.
Levin, Kim. “Fascination.” The Village Voice. April 12, 1987. pp. 71, 93.
Schwendinger, Leni. Lumieres: Perception-Projection.(Exhibition catalog). Centre International d’Art Contemporain de Montréal. March-April 1987. p. 42.
Sugiura, Kunie. “From Abroad, News from New York: Kristin Jones and Andrew Ginzel, Vis a Vis.” Bijutsu Techo Monthly Art Magazine (Tokyo, Japan). March 1987. p. 100; ill.
Adams, Brooks. “Kristin Jones & Andrew Ginzel at Art Galaxy.” Art in America. March 1987. p. 139. (.pdf)
ill. Tully, Judd. “Kinetic Sculpture.” Cover. February 1987. p. 5; ill. [Vis a Vis]
Bass, Ruth. “New York? New York!” Art Talk(Dallas, Texas). February 1987. p. 40; ill. (.pdf)
Levin, Kim. Review. The Village Voice. January 20, 1987. p. 81.
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Cubbs, Joanne. Eccentric Machines (Group exhibition catalog). Sheboygan, Wisconsin: John Michael Kohler Arts Center, 1987. ill.
New York Foundation for the Arts. 1987 Artists’ Fellowships. New York Foundation for the Arts. p. 64.

Verzura, Donatella, and Gregorio Magnani. “Lumieres.”Flash Art (Italian Ed.). November 1986. p. 64. Also in French in Flash Art (International Edition). December 1986 – January 1987. p. 115.
McGill, Douglas C. “Art People: Collaborators Depict Nature.” The New York Times. November 21, 1986. p. C33; ill. (.pdf)
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Advertisement for Vis a Vis. ARTforum. November 1986.
Evans-Clark, Phillip. “Montreal, Lumieres.” Art Press(Paris, France). November 1986. p. 65.
Pozzi, Lucio. “Che ve ne sembra dell’America? Il teatro di Giulio Camillo contro l’amnesia morale dell’America d’ogg.” Il Giornale dell’Arte. November 1986. ill.
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Gumpert, Lynn, interview. Triptych (Exhibition pamphlet with interview). New York: The New Museum of Contemporary Art, September 26-November 30, 1986.
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Cameron, Dan. “Ten To Watch.” Arts Magazine. September 1986. pp.40-43; ill. (.pdf)
Scala, Mark. “Kristin Jones/Andrew Ginzel, Chuck Henry.” New Art Examiner. Summer 1986. p. 51; ill. (.pdf)
Evans-Clark, Phillip. “Messages Sent in the Medium of Light.” The New York Times. August 17, 1986. p. B29. (.pdf)
Solomon, Alisa. “View from the Bridge.” The Village Voice. July 1, 1986. p. 106.
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Holland, Bernard. “Music: Images in ‘Memory Theater.’”The New York Times. Sunday, June 29, 1986.
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Dunning, Jennifer. “New Realm of Theatre Inside a Bridge’s Vaults.” The New York Times. June 6, 1986. pp. C1, C17. (.pdf)
Proctor, Roy. “Intellectual Buttressing Accompanies Museum Exhibit.” The Richmond News Leader. March 1, 1986. p. A57.
Saucer, Moira. “MUSEUMS: Spectacular Mosaics and Creations in Space at the Virginia Museum.” Style Weekly (Richmond, VA). February 25, 1986. p.18.
Merritt, Robert. “New Shows Challenge Perceptions.”Richmond Times-Dispatch. February 21, 1986. p. C8; ill.
Crutchfield, Margot. Installations (Exhibition brochure). Richmond, VA: Virginia Museum of Fine Arts. February 19-March 30, 1986. pp. 4-7
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“On Location: Inventing Pangaea.” Special Project forARTforum, February 1986. pp. 4-5; ill.
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Richmond Times-Dispatch. January 12, 1986.
pp. K-19; ill.
Creative Time, Inc. The Memory Theatre of Giulio Camillo (Exhibition catalog). New York: Creative Time, Inc., 1986.
Gould, Claudia. National and International Studio Artists Program 1985-1986 (Group exhibition catalog). New York: Institute for Art and Urban Resources at the Clocktower. p. 38; ill.
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National and International Studio Artists Exhibition.”ARTforum. December 1985.
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Raynor, Vivien. “Downtown Scene: What’s New and Fresh.” The New York Times. February 15, 1985.
p. C20.
Mifflin, Margot. “Trunks of the Mind.” High Performance. 1985. p. 92.
Gould, Claudia. National and International Studio Artists Program 1984-1985 (Group exhibition catalog). New York: Institute for Art and Urban Resources at the Clocktower, 1984-1985. p. 34; ill

Advertisement: “PS 1 and the Clocktower’s
National and International Studio Artists Exhibition.”ARTforum. December 1985.
Brenson, Michael. “Art: P.S. 1 Shows Work of 35 Younger Painters.” The New York Times. December 6, 1985. p. C26.
Panicelli, Ida. “Kristin Jones & Andrew Ginzel.”ARTforum. November 1985. p. 102; ill. (.pdf)
Cameron, Dan. “Springtime on the Fringe.” Arts Magazine. September 1985. p. 67. (.pdf)
Raynor, Vivien. “Downtown Scene: What’s New and Fresh.” The New York Times. February 15, 1985.
p. C20.
Mifflin, Margot. “Trunks of the Mind.” High Performance. 1985. p. 92.
Gould, Claudia. National and International Studio Artists Program 1984-1985 (Group exhibition catalog). New York: Institute for Art and Urban Resources at the Clocktower, 1984-1985. p. 34; ill

“E’ Inoltre.” La Repubblica. June 1984.

Byers, C. George. “Floating Worlds of Air and Light.Newport: This Week. May 6, 1982. Arts/Entertainment, p. 12. (.pdf)

Sozanski, Edward J. “Light is Structural in Elastic Sculpture.” The Providence Journal, 1981